Auddict is happy to bring you the trumpets section from our Master Brass orchestral brass sample library.
Auddict是很高兴带给你从我们的主管弦乐铜管样本库小号部分。
Like its MB counterparts, the Master Brass trumpets also come with a staggering seven mic positions for absolute sonic control and sculpt-ability, along with a wide range of articulations.
和它的MB对应物一样，主铜管喇叭也有惊人的七个麦克风位置，绝对的声音控制和雕刻能力，以及广泛的关节。
Mix between the perspectives;
不同观点的混合;
Decca tree sides and mid, flanks, room, woodwind spots (see more about this below!), close ribbons and close LDCs, with the flexibility aimed at replicating a real scoring session.
台卡树的侧面和中部，侧翼，房间，木管风点(更多信息见下文!)，关闭丝带和关闭最不发达国家，与灵活性旨在复制一个真正的得分会议。
Now you have control over the different mic and perspective levels in the session, enabling you to morph your own sound in your scores, as if you were at the studio with the console at your fingertips.
现在，您可以在会话中控制不同的麦克风和透视图级别，使您能够在您的乐谱中改变您自己的声音，就像您在演播室与控制台在您的指尖。
You might have noticed that one of the perspectives included is “woodwind spots”.
您可能已经注意到其中一个透视图是“木管风点”。
While this is not a woodwind library, the mics that spot the woodwinds were set up and included in the recording.
虽然这不是一个木管乐器库，但是发现木管乐器的麦克风是建立在录音中。
The reason for this, is that a lot of the brass sound bleeds heavily into the woodwind mics in scoring sessions, adding to the perceived depth of the sound, so whilst pushing to achieve the most versatile, we felt that this absolutely had to be included.
这样做的原因是，很多铜管乐器的声音在进球会的木管乐器中大量流出，增加了声音的感知深度，所以在努力实现最多功能的同时，我们觉得这是绝对必须包括在内的。
The instrument comes with two true legato modes – a normal slurred legato and a fast legato, for faster passages,which will allow you to play virtuoso runs and scale passages.
这种乐器有两种真正的连奏模式——一种是普通的模糊连奏模式，另一种是快速连奏模式，用于演奏更快的乐段，你可以演奏大师的跑动和缩放乐段。
Like the rest of the Master Brass, we have recorded major and minor chords in various positions, as well as open fifths (combined gives you the ability to also create MAJ7, min7 and other chords…
和其他的铜管大师一样，我们已经在不同的位置记录了大调和小调和弦，以及开放五度(合在一起可以让你创造出MAJ7, min7和其他和弦……)
again for the reason that each note has it’s own little space in the sonic field, and it is this separation that is one of the major things we miss from a real recording, and a track with layer upon layer of samples.
因为每个音符在声场中都有自己的小空间，而这种分离是我们在真实录音中忽略的一个主要问题，也是一层一层样本的音轨。
With this instrument, you can achieve that real spacious sound.
有了这个乐器，你就能发出那种真正宽广的声音。
This instrument requires the FULL VERSION of Kontakt 4, or above (so it will also run in Kontakt 5 perfectly)
这个乐器需要Kontakt 4的完整版本，或者更高版本(因此它也可以在Kontakt 5中完美运行)
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