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Producertech Complete Guide to Omnisphere [TUTORiAL]

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P2P | 2020年8月23日| 592.24兆字节

是否想了解市场上最强大的合成器之一是如何工作的?这套为期三个半小时的教程将带您从一开始就进行高级声音设计,介绍此尖端乐器中包含的所有合成技术和功能。该课程深入研究减法合成的所有主要阶段,涵盖振荡器,滤波器,调制器和FX Rack。三分之一的模块还用于展示如何创建不同的预设,将所有技术结合到一些有用的实用示例中,以帮助学生将所有内容置于上下文中。

本课程中的

模块模块1:简介和概述
介绍课程样式,并提供仪器的概述,涵盖主要显示区域,可以在其中浏览,管理和编辑合成器预设。开始讲授各种预设的结构,简要解释什么是声源,层次,部分和多重声。

模块2:振荡器
在合成和采样模式下工作时,涵盖了Omnisphere的振荡器部分。解释了不同的基本波形类型及其频率(谐波)含量。揭示了一些编辑技巧,包括调音和应用统一声音。所有技术都组合成一些简单补丁创建的示例。

模块3:过滤器
了解可用的不同类型的过滤器及其对声音的影响。还提供了信号通过滤波器路由的指南,显示了并联和串联设置的一些示例。

第4单元:包
络从最常见的幅度包络开始,我们研究包络,包络随时间变化。然后转到包络调制的另一种流行用法,即在其中使用滤波器频率。

模块5:LFO和环状信封
通过探索Omnisphere上的连续类型(环状信封和LFO)来继续研究调制。包括制作经典dubstep摆动低音的指南。

模块6:高级振荡器控制
讨论了一些更高级的振荡器功能,包括对称和硬同步,频率和环形调制以及波动。最后,说明如何使用和声模式来创建有趣的音程和和弦。

模块7:混响,延迟和调制FX
开始讲解Omnisphere FX机架中的各种效果,首先详细研究混响和延迟,然后再介绍诸如镶边,合唱和移相器之类的调制效果。

第8单元:琶音
指导使用Omnisphere的琶音器,通过按住一个或多个音符(包括顺序的贝斯琴弦和glockenspiel声部)来创建各种节奏和旋律模式。

第9单元:预设胖低音
给出了一个实际示例,说明如何应用所教授的许多技术来制作胖低音预设。

模块10:制作主音色补丁
提供了很多有关制作主音色补丁的技巧,其中有两个经过略微编辑但听起来截然不同的结果。

模块11:制作多重SFX
显示如何制作多重预设,其中包含几种不同的FX声音,包括撞击,横扫和构建。

第12单元:制作多
凹槽通过演示如何将其同时用于制造鼓,贝斯和琴弦部件,从而制作出深厚的dubstep凹槽,来展示Omnisphere的全部潜力。

时长:3h 30m
视频:H264 800×450
音频:AAC 44,1 kHz 2ch

P2P | 23 August 2020 | 592.24 MB

Want to learn how one of the most powerful synths on the market really works? This three and a half hour set of tutorials takes you from the very beginning right through to advanced sound design, explaining all of the synthesizing technology and features included in this cutting-edge instrument. The course delves into all the main stages of subtractive synthesis, covering the oscillators, filters, modulators and FX Rack. A third of the modules are also spent showing how to create different presets, combining all of the techniques into some useful, practical examples to help students put everything into context.

Modules in this course:

Module 1: Introduction and Overview
Introduces the course style and provides an overview of the instrument, covering the main display areas, where synth presets can be browsed, managed and edited. Begins to teach the structure of various presets, briefly explaining what soundsources, layers, parts and multis are.

Module 2: Oscillators
Covers Omnisphere’s oscillator section, when working in synth and sample mode. There is an explanation of the different basic waveform types and their frequency (harmonic) content. Some editing tips are revealed, including detuning and applying of unison voices. All techniques are combined into some examples of simple patch creation.

Module 3: Filters
Teaches about the different types of filters available and the effect they have on the sound. Also provides a guide to the way signals can be routed through the filters, showing some examples of parallel and series setups.

Module 4: Envelopes
Takes a look at envelopes, starting with the most common type, the amplitude envelope, which changes the level over time. Then moves on to another popular use of envelope modulation, where the filter frequency is manipulated.

Module 5: LFOs and Looped Envelopes
Continues looking at modulation by exploring the continuous types featured on Omnisphere, those being looped envelopes and LFOs. Includes a guide to making the classic dubstep wobble bass.

Module 6: Advanced Oscillator Controls
Goes into some of the more advanced oscillator features, including symmetry and hard syncing, frequency- and ring- modulation, and also waveshaping. Lastly, there is an explanation of how to use harmonia mode to create interesting intervals and chords.

Module 7: Reverb, Delay and Modulation FX
Starts to teach about the huge range of effects featured in Omnisphere’s FX Rack, beginning with a detailed look at reverb and delay, before moving on to modulation effects, such as flanger, chorus and phaser.

Module 8: Arpeggiator
Gives a guide to using Omnisphere’s Arpeggiator to create all sorts of rhythmic and melodic patterns, by holding down one or more notes, including a sequenced bassline and glockenspiel part.

Module 9: Making a Fat Bass Preset
Gives a practical example of how to apply many of the techniques taught in order to produce a fat bass preset.

Module 10: Making a Lead Patch
Provides a wealth of tips on how to make a lead patch, with two slightly edited but very different-sounding results.

Module 11: Making an SFX Multi
Shows how to make a multi preset, containing several different FX sounds, including impacts, sweeps and builds.

Module 12: Making a Groove Multi
Shows the full potential of Omnisphere by demonstrating how it can be used to simultaneously produce drums, bass and lead parts, in order to make a deep dubstep groove.

Duration: 3h 30m
Video: H264 800×450
Audio: AAC 44,1 kHz 2ch

home page:https://www.producertech.com/software-courses/omnisphere/36/complete-guide-to-omnisphere

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