团队火炬| 2020年11月2日| 488兆字节
米奇·哈特（Mickey Hart）是《感恩的死者》（Grateful Dead）中的鼓手，该唱片在过去的三十年间传播了摇滚迷幻文化的声音和视觉，并将它们与民间，布鲁斯，乡村，爵士和其他美国音乐流融合在一起。凭借这项工作的力量，哈特入选了摇滚名人堂，并入选了《滚石》有史以来最伟大的100位鼓手。
除了从事与亡灵相关的工作外，哈特还有一项长期的音乐使命，即打破宇宙的节奏代码并探究其最深层的振动。这项努力始于1970年代的Diga Rhythm乐队，始于《星球鼓》（1991年）和《全球鼓计划》（2008年），两者均获得了世界音乐类别的格莱美奖。
在他的第一个Splice Pack中，Hart认真地注意了所记录的每个声音的声音功能。然后，他为样品开发了一个命名系统，将纹理归类为不同的Beams。例如，“ Beam Open”是笔直的横梁，而“ Beam Fooger”和“ Beam Trans”是米奇命名的不同节奏功能。
如今，Hart继续与Dead and Company的Bob Weir和Bill Kreutzmann以及John Mayer，Oteil Burbridge和Jeff Chimenti一起演出，该乐队在麦迪逊广场花园和其他地方都演出过售罄的演出，并获得评论家的好评。 ，《黑头》和新粉丝都一样。
哈特的最新专辑RAMU反映了这种信念，这可能是他迄今为止最大胆的冒险。它融合了Hart庞大的数字数据库与前沿的城市节奏，社会评论以及当代大师的贡献。
作为他正在进行的研究的一部分，哈特记录了金门大桥的振动，并将其描述为巨大的风竖琴，并从干细胞，心跳和脑电波中收集数据以产生成分。他与领先的神经科学家亚当·加扎里（Adam Gazzaley）博士的工作旨在寻找可以刺激患病和受损大脑不同部位的节律，从而开发出新颖且创新的治疗方法。早在1990年，哈特就在参议院衰老小组委员会上作了关于节奏和音乐疗法的证词。不论其多样性如何，他的一生都可以简单地概括为：在无处不在的节奏中，他邀请我们分享其无尽的生命力。
包含：
- 20束光圈
- 4条开放式横梁
- 16光束纹理
- 35个鼓循环
- 25鼓一枪
- 20长纹理效果
- 20短纹理效果
- 40个音调环
- 一声20音
Team Flare | 02 November 2020 | 488 MB
Mickey Hart is best known as a drummer in the Grateful Dead, which for three decades channeled the voices and visions of rock’s psychedelic counterculture and blended them with folk, blues, country, jazz, and other American music streams. On the strength of that work, Hart was inducted into the Rock and Roll Hall of Fame and named to Rolling Stone’s 100 Greatest Drummers of All Time.
In addition to his Dead-related work, Hart has a longstanding musical mission to break the rhythm code of the universe and probe its deepest vibrations. That effort, which began in earnest in the 1970s with the Diga Rhythm Band, produced Planet Drum (1991) and Global Drum Project (2008), both of which received Grammys in the World Music category.
In his first Splice pack, Hart paid meticulous attention to the sonic function of every single sound recorded. He then developed a naming system for the samples, categorizing the textures as different Beams. For example, “Beam Open” is a straight Beam sustain while “Beam Fooger” and “Beam Trans” are different rhythmic functions that Mickey has named.
Today, Hart continues to perform with Bob Weir and Bill Kreutzmann – as well as John Mayer, Oteil Burbridge, and Jeff Chimenti – in Dead & Company, which has played sold-out shows at Madison Square Garden and elsewhere, and garnered praise from critics, Deadheads, and new fans alike.
Hart’s latest album, RAMU, reflects that conviction and might be his boldest adventure yet. It fuses Hart’s massive digital database with cutting-edge urban rhythms, social commentary, and contributions from contemporary masters.
As part of his ongoing research, Hart has recorded vibrations from the Golden Gate Bridge, which he describes as a giant wind harp, and collected data from stem cells, heartbeats, and brainwaves to produce compositions. His work with Dr. Adam Gazzaley, a leading neuroscientist, seeks to identify rhythms that can stimulate different parts of diseased and damaged brains, leading to new and innovative approaches to healing. As far back as 1990, Hart testified about rhythm and music therapy before the Senate Subcommittee on Aging. For all its variety, his life’s work can be summed up simply: Having found rhythm everywhere and in everything, he invites us to share its inexhaustible vitality.
Contains:
- 20 Beam Loops
- 4 Open Beams
- 16 Beam Textures
- 35 Drum Loops
- 25 Drum One Shots
- 20 Long Texture FX
- 20 Short Texture FX
- 40 Tonal Loops
- 20 Tonal One Shots
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