P2P | 2020年11月2日| 21.91兆字节
强大的脉冲响应集合将80年代早期混响单元的声音带回到Studio One的“露天”卷积混响中。
采样混响单元的完整列表
数字混响245 –（10个文件）纽约和瑞士
数字混响246 –（20个文件）奥地利和瑞士
数字混响248 –（16个文件）田纳西州纳什维尔和科罗拉多州丹佛
数字混响250 –（ 26个文件）田纳西州纳什维尔，
数字混响245
245是244，带有预延迟和反射设置。其他德国单位在算法中纳入了一些相同的反射设置，而245则为您提供了真正拨入这些设置的灵活性。在显微镜下查看这些文件时，有趣的是看到音频文件中的早期反射（尖峰）。反射中涉及了很多音频工程科学，它们之间的距离有多远或多近，以模仿不同的房间，大厅等。245的最长混响时间约为5秒。
数码混响246
与248一样使用250中的算法，具有很大的用户控制力和灵活性。它还包括一个类似于248的扩展存储器插槽。它具有6种程序模式，具有可编程的低通滤波器，反射和衰减。
数码混响248
248是该系列中的最后一款产品，由于坚固且听起来不错而被许多人所珍视。248装有各种预设和可调整的算法，包括巴洛克教堂，大教堂，罗马式教堂，其中包括许多大小的房间，大厅甚至楼梯间，浴室和一个称为“小房间”的预设。248是一款非常强大的处理器，直到今天，像世界上许多主要唱片艺术家一样，像许多老式设备一样使用它。Reba，Carrie Underwood，Luke Bryan等领先的乡村艺术家使用了我们的其中一个单元…
Digital Reverb 250
制造出第一个真正的DSP。250使用12位24k转换器，低通11Khz左右。该装置顶部有大型杠杆，重约100磅，看起来像是来自外太空-绰号为“ R2D2”。毫无疑问，这是该时代最好的DSP之一，只有少数拥有这些老式舷外机件之一的人，仍在不加选择地频繁使用它们。此模型的分支机构有251和252。最初制造的只有约250台，然后适应了较新的251接口和252升级，其中252是机架安装版本。
P2P | 02 November 2020 | 21.91 MB
This powerful collection of impulse responses brings back the sound of the early 80s reverb units into Studio One’s “Open Air” Convolution Reverb.
Full Listing of sampled reverb units
Digital Reverb 245 – (10 files) New York and Switzerland
Digital Reverb 246 – (20 files) Austria and Switzerland
Digital Reverb 248 – (16 files) Nashville, TN, and Denver, CO
Digital Reverb 250 – (26 files) Nashville, TN
Digital Reverb 245
The 245 was the 244 with the addition of pre-delay and a reflections settings. While the other German units incorporated some of these same reflection settings in algorithms, the 245 gave you the flexibility to really dial in those settings. When you look at these files, under the microscope, it’s interesting to see the early reflections (spikes) in the audio files. There was a great deal of audio engineering science that went into the reflections, how far or close together they would be, to emulate different rooms, halls, etc. The 245’s longest reverb time is around 5 seconds.
Digital Reverb 246
uses the algorithms from the 250 as does the 248, with a great deal of user control and flexibility. It also encompasses a slot for expanded memory similar to the 248. It has 6 program modes with a programmable low pass filter, reflections, and decay.
Digital Reverb 248
The 248 was the last unit made in this series and is treasured by many as being solid and quite nice sounding. The 248 was loaded with all kinds of presets and adjustable algorithms including, Baroque Church, Cathedral, Romanesque Church with numerous size rooms, halls and even stairwells, bathrooms and a preset called “Tiny Room.” The 248 is a very able processor and is used even today, like so many of these vintage units, by major recording artists around the world. One of our units was used by leading country artists such as Reba, Carrie Underwood, Luke Bryan…
Digital Reverb 250
The first true DSP manufactured. The 250 uses 12-bit, 24k converters, low passed around 11Khz. This unit has large levers on top, weighs around 100 lbs and looks like it is from outer space – nicknamed the “R2D2.” No doubt, this is one of the finest DSPs from the era, with the few who own one of these remaining pieces of vintage outboard gear, still using them frequently and unabashedly. There is a 251 and 252 unit that are offshoots of this model. There were only around 250 of the original units made and then were adapted to the newer 251 interface and 252 upgrades with the 252 being a rack mounted version.
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