P2P | 2021年2月22日| 966兆字节
加入我们的纽约红牛工作室，与模拟狂热的罗素·埃里瓦多（Russell Elevado）混音系列！这位著名的工程师使用SSL 9000 J系列控制台和一系列优质的舷外设备，构建了D’Angelo的“直到完成”的新组合。Elevado分享了不使用插件的原理，并与硬件和建模软件的基本原理进行了比较。他还讨论了控制台工作流的好处，阐述了SSL模型之间的差异，揭示了为什么他最不使用混合总线链，并带您了解该项目所使用的工具。当您观看Russell从头开始混音时，您会看到他如何在人声，鼓，贝斯，吉他和键盘上创造性地使用EQ，压缩，磁带效果等等。除了技巧外，您还将了解他关于采样率的想法，
第1部分
控制台，模拟偏好，SSL模型，混合总线，监控，采样率，舷外
第2部分
效果，原理，修订，工作速度，杆，磁带，音高偏移，对齐，计量，鼓声
第3部分
低音处理，压缩机音调，人声组，罗兹，吉他，录音过程，变速第四
部分
录音带，回声，鼓的放大，打印效果，人声叠加，聆听电平，桥的场景变化
第五部分
自动化阶段，推子状态，快照，游乐与压缩，声音效果，回顾
P2P | 22 February 2021 | 966 MB
Join us at Red Bull studios in New York for a mixing series with analog fanatic Russell Elevado! Using a SSL 9000 J-series console and a selection of quality outboard equipment, the renowned engineer builds a new mix of ‘Till It’s Done’ by D’Angelo. Elevado shares his rationale for using no plug-ins, drawing comparisons with the fundamentals of hardware versus modeled software. He also discusses the benefits of console workflow, elaborates on differences between SSL models, reveals why he most often uses no mix buss chain, and takes you through the gear used on this project. As you watch Russell mix the multi-track from scratch, you’ll see how he creatively uses EQ, compression, tape effects and more on vocals, drums, bass, guitar, and keyboards. Aside from techniques, you’ll learn of his thoughts on sample rates, monitoring, creativity under pressure, and other pertinent subjects.
PART 1
Console, analog preference, SSL models, mix buss, monitoring, sample rates, outboard
PART 2
Effects, philosophy, revisions, work speed, stems, tape, pitch shift, alignment, metering, drums
PART 3
Bass treatment, compressor tone, vocal groups, Rhodes, guitars, recording process, varispeed
PART 4
Tape, echos, drums re-amp, printed effects, vocal stacks, listening levels, scene change in bridge
PART 5
Automation stage, fader status, snapshot, rides vs. compression, vocal effects, recap
home page:https://mixwiththemasters.com/dm21
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