点对点 | 2021 年 3 月 13 日 | 3.06 GB
终于，一架真正听起来像是与您的管弦乐队在同一个房间里的三角钢琴。这架精美的施坦威 D 型音乐会三角钢琴在世界著名的 AIR 工作室大厅录制，我们在那里录制了我们的交响乐和室内乐系列，其设计与我们的交响乐和室内乐系列完美匹配。一款经典、多功能的乐器，非常适合作为协奏曲风格的主奏，同时也非常适合为您的乐谱添加质感。
扩展您的交响乐调色板
Orchestral Grand Piano 为您提供逼真的上下文钢琴，专为适应您的完整管弦乐安排而设计。这架钢琴在 AIR Studios 的 The Hall 进行了专业录制，这是世界上最伟大的录音室之一，与我们的 Symphonic 和 Chamber 库位于同一空间。当混合时，它听起来就像是在管弦乐队中，不可能通过使用近距离麦克风的钢琴并添加混响来重现。
钢琴往往以非常科学的方式录制，这就是为什么对于较大的管弦乐模型和实现，它们通常很难融入和混合。为了克服这个障碍，我们简单地录制了钢琴，因为我们有我们的其余模块，麦克风放置在任何管弦乐会话中。最终的结果是钢琴的声音，就像在AIR Studios录制的任何出色的电影配乐一样。
特点
每个音符都由 AIR Studios 的专家驻场工程师 Jake Jackson 使用一系列无价的老式麦克风通过 Neve “Montserrat” 前置放大器和一台维修精美的 Studer 2” 磁带机录制，然后通过最好的 Prism AD 转换器以 96k 的速度录制成数字.
该库提供四个麦克风位置，您不仅可以混合和混合以适应您正在处理的应用程序，还可以自动实现焦点和深度的显着变化。它们还可以完全输出分配给环绕声和 5.1 使用。该库同时录制到 Tape 和 Digital，因此您可以选择在 Tape 源的更圆润、更饱满的音色或数字源稍亮、更脆的声音之间切换。
规格：
4个循环赛，1个动态图层！大小：3.29 GB ncw，7.29 GB WAV。需要 KONTAKT 4 或 5 的完整副本才能运行。
v2.1（2019 年 6 月）
– 修正：[PB-250] – 磁带样本开始计时
– 修正：[PB-473] – 控制器无效
v2.0（2014
年3 月） – 增加：新的麦克风混音器预设功能。在打开的音色之间复制/粘贴麦克风设置或将它们保存为 NKA 预设。
– 添加：混音器菜单的速度响应选项（在线性、搁架、指数和对数之间切换）。
– 添加：来自最新 BML 代码库的新关节切换器系统。
– 增加：通过在单击仪器图标时按住 SHIFT 可以一次选择和分层多个仪器。
– 添加：COG 现在是主要补丁的一部分
– 添加：Harp 更新为使用 UACC v2（有关详细信息，请参阅 http://spitfire-webassets.s3.amazonaws.com/pdfs/UACCv2spec.pdf）
– 添加：在 UACC 模式下，显示 UACC CC# 以供参考
– 添加：添加了 UACC KS 功能以通过力度切换关节
– 更新：按键开关移至键盘底部并在每个部分保持一致
– 更新：性能改进在引擎盖下。
-更新：完全重新编程的动力学和释放逻辑
-修复：更改MIDI通道会重新初始化CC滑块，以便释放样本不会消失
-修复：在MIDI通道“ Omni”上加载音色会正确初始化CC滑块
P2P | 13 March 2021 | 3.06 GB
At last, a grand piano that actually sounds like it’s in the same room as your orchestra. Recorded in the world famous Hall at AIR Studios where we recorded our Symphonic and Chamber ranges, this exquisite Steinway Model D concert grand piano is designed to fit perfectly with our symphonic and chamber ranges. A classic, versatile instrument ideal as a concerto style lead, while also perfect for adding texture to your scores.
EXPAND YOUR SYMPHONIC PALETTE
Orchestral Grand Piano gives you a realistic contextual piano, designed specifically to fit within your full orchestral arrangements. The piano has been expertly recorded in The Hall at AIR Studios, one of the greatest studios in the world, and the same space as our Symphonic and Chamber libraries. When blended it will sound like it is among the orchestra, impossible to recreate by taking a close mic’d piano and adding reverb.
Pianos tend to be recorded in a very scientific manner which is why, for larger orchestral mockups and realisations, they can often be very difficult to blend in and mix. To overcome this hurdle, we simply recorded the piano as we have the rest of our modules, with mics placed as they would be for any orchestral session. The end result is a piano sounding as it would for any of the great film scores recorded at AIR Studios.
FEATURES
Every note was recorded by AIR Studios’ expert resident engineer Jake Jackson using an array of priceless vintage microphones via Neve “Montserrat” pre-amps and a beautifully serviced Studer 2” tape machine, then into digital at 96k via the best Prism AD converters.
The library is presented with four microphone positions which you can not only mix and blend to fit the application you’re working on, but also automate for dramatic shifts in focus and depth. They’re also fully output assignable for surround and 5.1 use. The library was recorded both to Tape and Digital at the same time, so you have the option to switch between the rounder, fuller tone of the Tape source, or the slightly brighter, more brittle sound of the Digital source.
SPECIFICATIONS:
4 Round Robins, 1 Dynamic Layer!. Size: 3.29 GB ncw, 7.29GB WAV. REQUIRES A FULL COPY OF KONTAKT 4 OR 5 TO RUN.
home page:https://www.spitfireaudio.com/shop/a-z/orchestral-grand-piano/
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