点对点 | 2021 年 4 月 3 日 | 394.74 MB
在 Studios La Fabrique 与传奇的 Al Schmitt 和他的助理工程师 Steve Genewick 一起，与她的音乐家一起录制爵士歌手 Melody Gardot。我们从史蒂夫开始解释他如何计划与艾尔的会议以及他们在团队合作时所承担的角色。然后，他详细说明了在跟踪之前采取的程序（准备控制台、极性检查、耳机混音，以及为 EQ、压缩和混响选择外部处理）。在此之后，Al Schmitt 展示了他用于人声、鼓和低音提琴的麦克风放置和信号处理技术，同时讨论了麦克风选择、声学空间和表演风格。他还解释了为什么他提倡简单的麦克风设置并且在跟踪时不使用 EQ。
第 1 部分
00:08:28
Steve 解释了调音台准备、极性检查、耳机混音和外置处理。
PART 2
00:03:01
Al 讨论了低音提琴的麦克风选择、放置、声学和处理。
PART 3
00:03:29
Al 揭示了他用于跟踪人声的典型麦克风选择、设置、空间和压缩。
PART 4
00:09:25
Al 展示了他的架子鼓设置，提到了其他麦克风选择，并解释了他不使用 EQ 的原因。
PART 5
00:04:31
录制 Melody Gardot 的“Wayfaring Stranger”翻唱全集
P2P | 03 April 2021 | 394.74 MB
Join the legendary Al Schmitt and his assistant engineer Steve Genewick at Studios La Fabrique to record jazz singer Melody Gardot with her musicians. We begin with Steve explaining how he plans a session with Al and the roles they both undertake when working as a team. He then elaborates on the procedures taken prior to tracking (preparing the console, polarity checking, headphone mixes, and choosing outboard processing for EQ, compression and reverb). Following this, Al Schmitt illustrates his microphone placement and signal processing techniques for vocals, drums and double bass, while discussing microphone choice, acoustic space and performance style. He also explains why he advocates simplistic microphone setups and no EQ while tracking.
PART 1
00:08:28
Steve explains console preparation, polarity checking, headphone mixes and outboard processing.
PART 2
00:03:01
Al discusses microphone choice, placement, acoustics and processing for double bass.
PART 3
00:03:29
Al reveals his typical microphone choice, setup, space and compression for tracking vocals.
PART 4
00:09:25
Al shows his drum kit setup, mentions alternative microphone choices, and explains why he uses no EQ.
PART 5
00:04:31
Recording a full take of ‘Wayfaring Stranger’ cover by Melody Gardot
home page:https://mixwiththemasters.com/rab5
转载请注明：Audioba-音频吧编曲混音资源网 » MixWithTheMasters Recording A Band #5 Al Schmitt [TUTORiAL]