系统要求：PC/MAC
软件格式：KONTAKT
厂家：https://www.fluffyaudio.com/shop/rinascimento/
大小：29 GB
时间：2020年4月12日
两年前那是九月，我们想讲另一个故事。还是我们最好说一个童话，一个传说？让我们把它从远处。
希克·桑特·莱昂斯——从字面上说是”这里是狮子”——罗马人在谈到神秘而未知的非洲大陆时说。这句老话在帝国所有未探索的地方都很普遍。这正是我们要找的：里昂。我们感到兴奋的想法，探索一个未知的领土，寻找新的野兽驯服和加尔利雄，克鲁姆霍恩或奥博只是一些可怕的掠食者，我们渴望面对。
我们听说过拉罗西尼奥尔，一群意大利球员专门从事文艺复兴音乐。经过简短的研究和一些电话，我们设法会见了多梅尼科，该合唱团的主要组织者和它的卢特主义者之一。
在我们最初的心态中，文艺复兴音乐的演奏者仍然生活在窗帘之间，在烛光下对哲学主题进行教宗。因此，我们相当惊讶 – 但有点失望 – 发现，甚至多梅尼科正在寻找一个良好的样本库，使他…文艺复兴时期的模型！此外，我们发现，他的”追逐”是十分合理的，因为只有少数广阔的文艺复兴时期剧目被采样和模型可能被证明是一个宝贵的工具，给新的生命，处女得分，以及未受破坏的维珍分数。
抛开笑话不谈，我们设法让多梅尼科和拉罗西尼奥尔参与了我们的项目。尽管如此，我们还是缺少了一些仪器。科内托，加利希翁，杜尔恰纳是难以驯服的野兽。他们住在山里或深藏在海里，好驯服者是很有需求的。当时，我们几乎开始认为，真正的里昂，比仪器本身，他们的球员！花了几个星期才找到合适的人，但最终我们却得到了我们这个郡里一些最无畏、最勇敢的军阀：狼人家族的坎塔卢皮勋爵和科内茨家族的曼多尼科伯爵。
在那些日子里，我们想收集最准确的信息，关于我们要取样的仪器，但拉罗西尼奥的球员住在从博洛尼亚到米兰。长话短说，我们发现自己走遍了这个地区，以满足他们，但那些日子的集体计划，会议和三明治被证明是最酷的事情之一的项目。
以不同的方式与不同的人见面，激励我们更精确地思考我们想要构建的虚拟乐器的界面或行为，而且，最重要的是，我们渴望从头开始塑造的Rinascimento的帧、一般想法、内心声音。
这最终是最困难的——而且在某种程度上具有讽刺意味的——挑战：给必须在当前环境中演奏的古老振动赋予新的生命！
Two years ago. It was September and we wanted to tell another story. Or we’d better say a fairy tale, a legend? Let’s take it from afar.
Hic sunt leones – literally “here are the lions” – the Romans were saying in reference to the mysterious and unknown African continent. This old saying became common for all the unexplored parts of the empire. That was exactly what we were looking for: leones. We felt excited by the idea of exploring an uncharted territory in search of new wild beasts to tame and Gallichon, Crumhorn or Theorbo were just some of the fearsome predators we were eager to face.
We had heard about La Rossignol, a group of italian players specialized in Renaissance Music. After a brief research and some phone calls we managed to meet Domenico, the chief organizer of the ensemble and one of its lutists.
In our preliminary mindset, Renaissance Music players were still living with ruff between the drapes, pontificating on philosophical subjects at the candlelight. Therefore, we were quite surprised – but somewhat disappointed – to find out that even Domenico was looking for a good Sample Library to make his… Renaissance mock-ups! Further, we found that his “chase” was more than reasonable, since just few of the vast Renaissance repertoire has been sampled and mock-ups may prove to be a valuable tool to give new life to virgin scores as well as for unspoiled scores of Virginal.
Jokes aside, we managed to involve Domenico and La Rossignol in our project. Still, we were missing some instrument. Cornetto, Gallichon, Dulciana are hard beasts to tame. They live holed up in the mountains or deeply hidden in the sea, and good tamer are in great demand. At that time we had almost started to think that the real leones were, more than the instruments themselves, their players! It took several weeks to find out and engage the right people, but finally we had in our battallion some of the most dauntless and valiant warlord of our county: Lord Cantalupi of the family of the Wolvesinger and Count Mandonico of the family of the Cornets.
In those days we wanted to gather the most accurate information about the instruments we were going to sample but the players of La Rossignol live scattered from Bologna to Milano. Long story short, we found ourselves traveling the region far and wide to meet them, but those days of collective planning, meetings and sandwiches turned out to be one of the coolest things for the project.
Meeting different people with different approaches stimulated us to think more precisely not only the interface or the behaviour of the virtual instruments we wanted to build up, but, more than anything else, the frame, the general idea, the inner sound of Rinascimento we wanted to shape from scratch.
This was, in the end, the most difficult – and somehow ironical – challenge: to give new life to age-old vibrations that has to be played in a present context!
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