We are very proud to release the next installment in our brass series;
我们非常自豪地发布了brass系列的下一期;
a six player Trombone ensemble, complete with seven mic positions, to continue the venture of creating a series with the same controllable sonic environment/soundscape as you would have in a film scoring session.
一个六人长号合奏团，完整的七个麦克风位置，以继续冒险创造一个系列与相同的可控的声音环境/音景，就像你在一个电影记分会议。
There are seven mic positions, carefully set to cover a very broad sound-scape, recorded chords, fast and normal legato with multiple dynamic layers (true sampled sustains and intervals), release samples, staccato (16 variations per note) and more…
有7个麦克风位置，精心设置覆盖一个非常广泛的音景，记录和弦，快速和正常的连奏与多个动态层(真正的取样支撑和间隔)，释放样本，断奏(每音符16种变化)和更多…
Mix between the perspectives;
不同观点的混合;
Decca tree sides and mid, flanks, room, woodwind spots (see more about this below!), close ribbons and close LDCs, with the flexibility aimed at replicating a real scoring session.
台卡树的侧面和中部，侧翼，房间，木管风点(更多信息见下文!)，关闭丝带和关闭最不发达国家，与灵活性旨在复制一个真正的得分会议。
Now you have control over the different mic and perspective levels in the session, enabling you to morph your own sound in your scores, as if you were at the studio with the console at your fingertips.
现在，您可以在会话中控制不同的麦克风和透视图级别，使您能够在您的乐谱中改变您自己的声音，就像您在演播室与控制台在您的指尖。
You might have noticed that one of the perspectives included is “woodwind spots”.
您可能已经注意到其中一个透视图是“木管风点”。
While this is not a woodwind library, the mics that spot the woodwinds were set up and included in the recording.
虽然这不是一个木管乐器库，但是发现木管乐器的麦克风是建立在录音中。
The reason for this, is that a lot of the brass sound bleeds heavily into the woodwind mics in scoring sessions, adding to the perceived depth of the sound, so whilst pushing to achieve the most versatile, we felt that this absolutely had to be included.
这样做的原因是，很多铜管乐器的声音在进球会的木管乐器中大量流出，增加了声音的感知深度，所以在努力实现最多功能的同时，我们觉得这是绝对必须包括在内的。
Auddict Master Brass Trombones KONTAKT-SYNTHiC4TE screenshotFull list of articulations:
铜长号KONTAKT-SYNTHiC4TE屏幕截图关节的完整列表:
No Legato (allows polyphonic playing)
没有连奏(允许复调演奏)
Legato – normal slurred legato (piano and forte dynamic layers crossfade-able)
连奏-正常的发音连奏(钢琴和强音动态图层可交叉淡出)
Fst Legato – Fast legato specially for fast playing
Fst连奏-快速连奏特别为快速播放
Staccato – Short detached notes (16 variations per note)
断奏——短的分离音符(每个音符有16种变化)
Flutter – Flutter tongued sustains
颤舌-颤舌支撑
Rips – Rips up to the played note
撕-撕到演奏的音符
Chords – Diminuendo major, minor and open 5th chords
和弦-小调、小调和开放的第五和弦
Two Types of True Sampled Legato
两种真正的抽样连奏
The instrument comes with two true legato modes – a normal slurred legato, and a fast legato, for faster passages,which will allow you to play virtuoso runs and scale passages.
这款乐器有两种真正的连奏模式——一种是普通的模糊连奏，另一种是快速连奏，用于快速演奏段落，这样你就可以演奏大师的跑动和音阶段落。
We recorded major and minor chords in various positions, as well as open fifths (combined gives you the ability to also create MAJ7, min7 and other chords…
我们在不同的位置记录了主和弦和小和弦，以及开放五度(合在一起，你也可以创建MAJ7、min7和其他和弦……)
for the reason that each note has it’s own little space in the sonic field, and it is this separation that is one of the major things we miss from a real recording, and a track with layer upon layer of samples.
因为每个音符在声场中都有自己的小空间，而这种分离是我们从真实的录音和一层又一层的样本中错过的主要内容之一。
With this instrument, you can achieve that real spacious sound.
有了这个乐器，你就能发出那种真正宽广的声音。
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